The main reason divergent media is pushing out ScopeBox 4 is that ScopeBox 3 is not compatible with macOS 10.15 Catalina. ScopeBox 3 retails for $99 USD so I would expect ScopeBox 4 to be available at a similar price. ScopeBox 4 will supports all Intel based Macs, running 10.6 or later (10.8 or later for ScopeLink). You can even select an area on the waveform monitor or vectorscope and then that area on your image will be highlighted. This allows you to have a detailed look at the scopes of a particular area of your scene. What looks to be a very useful feature is the ability to click and drag to highlight certain areas of your image. While we don’t have all the information about ScopeBox 4 yet, I can tell you that it features a multi-window UI, a false color palette, HDR color science capabilities, MXF and Blackmagic RAW playback support, scope overlays, and new device support. ScopeBox 4 looks to be an impressive update to the companies existing ScopeBox platform. There are no NDI monitoring apps for iOS I could find.ScopeBox 4 from divergent media will be available from the 29th of October. In the Tag Editor, from the Scope box, choose a scope for the tag using. Now, assign the grids to the scope boxes. Create another scope box in a similar way, and then rotate and position it around the angled wing of the building. Click to place the scope box around the horizontal wing of the building. The have NDI WebLink which converts the NDI stream into a browser consumable via JPEG and which can also be viewed on iPads. stream of data flowing across the ControlNet network. If desired, name the scope box on the Options Bar. The folks at NDI source also make a few other apps which I didn't try. So if you needed someone to just follow along as you work, most semi-technical clients should be able to handle that. ScopeBox is a powerful and versatile macOS application that offers you a high quality preview monitor, numerous signal analyzers and recording capabilities for video of up to 4K resolution. The client side setup of this is a free download and simple install. Of course that was all on our office network, the other part is the slower broadband connection and dealing with the firewall. There was maybe a couple of frames delay judging from the audio echo between my grading machine and the laptop. Then I downloaded the free NDI StudioMonitor app form NewTek onto a PC Laptop and was able to monitor the stream full screen. On the Macbook Pro I installed the NDI Source app ($39 download from app store) which connects to the MiniRecorder and turns into in a NDI stream. I routed that into the BMD MiniRecorder (like some of us do for Scopebox) and into a Macbook Pro. I have the BMD Studio Monitor configured on Resolve for external monitoring. Because I like to tinker and got intrigued I tested a low-tech setup in my office earlier today, the components to which most of us having lying around anyway. You get all the features youd expect to find on a high-end field monitor. In some situations a more basic solution may be ok though. ScopeBox gives you a high quality, flexible preview monitor. That 30 min or so of facetime with the dir/prod/editor is super valuble, but that's the ony time we need to interact directly We are still miles and miles ahead of sound, typicaly the mix about a week behind color as it is, so no real world need to move any faster These signals can then be analysed by the Scopebox, which may reveal whether or not there are actually any faults with the sensors, actuators, circuits or. If we did the remote thing it would mean the roundtripped media on Wed evening in LA -vs- 11am Friday FedX The Launch Scopebox allows you to transform your Launch X431 GDS or X431 Europad into a 4 channel Lab Scope, which can quickly identify, locate and isolate suspect & intermittent signals. it goes through QC cleanly and we go on the the next show they ship on Monday, and they get their disk back on Friday i render the roundtrip media, put it on their drive and ship it back to LA next day the editor shares my ui screen and we all (dir/prod's) go through notes & tweaks together, usualy 30min or so the editor in LA/TO screens it with dir/prod, he has a callibrated mon, and shoots me notes for the next day's session i send a 12g or so DNx36 screener after about 6 hours work, it's pretty close by then they ship me media managed files + DRP + sample frames from the DP via the editor I've been doing this with a clients in both Toronto and LA recently for tv 1hr eps's
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |